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      <image:caption>Blond &amp; Gilles performance in cooperation with Andrina Bollinger at Sattelkammer Bern: All Eyes on Us / 4 Oct. 2019 photo credits: Samuel Rauber Clap Clap Therapy II Das von Blond &amp; Gilles eigens für die Klöntal-Triennale 2018 gebaute Massagegerät für Fussmassagen, kommt in der neu konzipierten Klangperformance Clap Clap Therapy II für die Sattelkammer zum Einsatz. Das Gerät ist von dem Film Die rote Laterne von Zhang Yimou inspiriert und verweist auf einen emanzipatorischen Hintergrund. Die Komposition wird von der Musikerin Andina Bollinger live an physischen Körpern gespielt. Die Statist*innenkörper in Clap Clap Therapy II thematisieren emanzipatorische Werte, verwandeln den menschlichen in einen instrumentalen Resonanzkörper und hinterfragen damit gleichzeitig den Einsatz von Statist*innenkörpern, der mit einer ungleichen Verteilungvon Macht einhergeht. Die Frage nach dem Verfügungs- und dem Verwaltungsrecht des menschlichen Körpers wird schon lange in der Philosphie, wie auch in der Kunst thematisiert und bildet inhaltliche Eckpunkte der Performance. Text: Myriam Gallo, Kuratorin Clap Clap Therapy II The massage device for foot massages, built by Blond &amp; Gilles especially for the Klöntal Triennale 2018, is used in the newly designed Clap Clap Therapy II sound performance for the Sattelkammer Bern. The deviceis inspired by the film The Red Lantern by Zhang Yimou and refers to an emancipatory background. The composition is played live on physical bodies by the musician Andina Bollinger. The extra bodies in Clap Clap Therapy II thematize emancipatory values, transform the human body into an instrumental resonance body and at the same time question the use of extra bodies, which goes hand in hand with an unequal distribution of power. The question of the right of disposal and the administrative right of the human body has long been a theme in philosophy as well as in art and forms the cornerstones of the performance in term s of content. Edited by Myriam Gallo, curator</image:caption>
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      <image:title>Work - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>Work - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>Work - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>Work - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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    <lastmod>2025-09-27</lastmod>
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      <image:caption>Simone Gilles Nyffeler *1981 CH lebt und arbeitet in Bern und Zürich als Künstlerin und Kuratorin. 2022 Gründung und Kuration IRMA Republic - Room für Art and Social Anthropology, 2013 Gründung des Kollektivs Blond &amp; Gilles mit Daniel Samuel Suter, seit 2013 Mitarbeit bei der Ausstellungskonzeption des Marks Blond Projects Bern. Gründungsmitglied Kollektiv Bern. Sie absolvierte einen Master in Art Education, Hochschule der Künste Bern mit Master-Thesis bei Isabelle Krieg, einen Master Minor Kunstgeschichte Uni Bern und war ein Semester an der Karel de Grote Hogeschool Antwerpen, Fachbereich Zeichnen. Ausstellungen an der Biennale Marrakech, Sattelkammer Bern, Manifesta Marseille, Bone Performance Festival, Duflon Racz Bern u.a. simonegilles.com Daniel Samuel Suter *1961 CH / Marks Blond Project R.f.z.K. Künstler und freier Kurator, Dozent, lebt und arbeitet in Bern und Zürich. Studium der Architektur ETH Lausanne und Columbia University NY. Gründer und Betreiber von unabhängigen, nicht kommerziellen Kunsträumen und Kunstprojekten. Marks Blond Project R.f.z.K.Bern, Blond &amp; Gilles. Mitgründung Betonsalon Paris, Paris Project Room (PPR Paris), Substitut-Berlin. Kuration von Projekten und Ausstellungen. Lehraufträge: HEAD Genève 2009-2015 (Autonomie)/ 2016 F&amp;F Zürich Schule für Kunst und Design. Workshops und Lectures an der ECAV Sierre und HSLU Luzern. 2018 Mentoring und Jurymitglied an der Ruskin School of Art in Oxford und der Rietveld Académie in Amsterdam. Mitglied und Gründer von Kollektiv Bern, Charta2016 und OffOff. marksblond.com Preise: 2025 Stiftung Landis &amp; Gyr 6 Monate Atelieraufenthalt London, 2013 Swiss Art Award Nomination Vermittlung /2009 Swiss Art Award Preis für Kunsträume /2001-2002 Eidgenössisches Kunststipendium Paris /2001-2002 Atelierstipendium Paris, Kuratorium Aarau. E: Simone Gilles Nyffeler *1981 CH, lives and works in Bern and Zurich, Switzerland, 2013 Foundation of Blond &amp; Gilles since 2013 collaboration with Marks Blond Project Bern. Education: Master Art Education, Hochschule der Künste Bern and Master-Thesis with Isabelle Krieg, Master Minor Art History, University of Bern with Prof. Ch. Göttler and Karel de Grote Hogeschool Antwerpen, Drawing Department Member and founder of Kollektiv Bern. Expositions: Biennale Marrakech, Sattelkammer Bern, Manifesta Marseille, Bone Performance Festival, Duflon Racz Bern etc. simonegilles.com Daniel Samuel Suter / Marks Blond Project R.f.z.K *1961 CH, artist and freelance curator, lecturer, works in Bern and Zurich, Switzerland. Studied architecture at ETH Lausanne and Columbia University NY. Founder and operator of independent, non-commercial art spaces and art projects. Marks Blond Project R.f.z.K., Blond &amp; Gilles. Co-founder of the Paris Project Room, (PPR Paris), Substitut Berlin. Curation of several projects and exhibitions: marksblond.com Teaching assignments: HEAD Geneva 2009-2015, F&amp;F Zurich School for art and design 2016, Workshops ECAV in Sierre and HSLU in Luzern. 2018 Mentoring und memeber of Jury at the Ruskin School of Art in Oxford and Rietveld Académie in Amsterdam. Member and founder of Kollektiv Bern, Charta2016 and OffOff. Prizes: 2025 Stiftung Landis &amp; Gyr Residency London, 2013 Swiss Art Award Nomination Art Education; 2009 Swiss Art Award Prize for Art Spaces; 2001-2002 Federal Art Scholarship Paris 2001-2002 Atelierstipendium Paris, Kuratorium Aarau.</image:caption>
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